I really respect African-American people. I just want to tell black stories. He concluded by saying, I resent that I have to prove that Im black. While Jackson frames the matter rather inelegantly, to put it mildly, nowhere in the interview does he question Kaluuyas blackness. What Jackson was doing was pointing out that the black experience throughout the diaspora isnt an interchangeable one like some filmmakers may like to believe. As the black-American experience is proving to be seen as creatively and financially fertile territory in film and TV, you have to wonder why, if these stories are seen as vital, actual black American actors arent necessarily viewed as their ideal storytellers? Generally, the answer to this question, and to arguments against comments like Jacksons, fall into two camps: 1) That acting by its very nature is the art of evoking the lives of others, so black-American actors arent essential to these roles; and 2) British actors get these opportunities due to being better trained in a rigorous theater tradition that leaves them more artistically capable , whether its Chiwetel Ejiofor in 12 Years a Slave, Idris Elba in The Wire, or the leads of Selma. On the latter point, a 2015 Entertainment Weekly piece argued , [P]erhaps the biggest factor leading to the perception that American actors are falling behind is that the path to Hollywood fame in this country doesnt necessarily go through the Actors Studio or Juilliard or the Yale School of Drama. Though Hollywood has its share of Jessica Chastains and Mark Ruffalos, well-trained professionals who studied at revered dramatic institutions, the difference might lie in the other cases, in which actors get a break in Hollywood with limited training or acting background. The most damning statement about this ongoing feud comes at the very end of the essay, the British are coming because Hollywood needs them. That filmmakers repeat this argument is more troubling. During the promotion for Selma in 2015, writer-director Ava DuVernay, who is considered one of the most talented and politically aware directors working, explained to BuzzFeed News w h y s h e l i k e s w o r k i n g w i t h b l a c k B r i t i s h a c t o r s: I think theres something about the stage, because they have that stage preparation. Their work is really steeped in theater. Our system of creating actors is a lot more commercial theres a depth in the character building thats really wonderful. That same year, Spike Lee told Slate , Their training is very proper, whereas some of these other brothers and sisters, you know, they come in here, and they dont got that training. The training and craft, its the same thing and I see it when people come in to audition and stuff, they dont got it together. Lee and DuVernays beliefs suggest that there is something inherently missing when it comes to the American talent pool.
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